Over the past three decades, digital platforms have become a significant global player in the development and dissemination of poetry.
Like other online art forms, the creation and consumption of digital poetry has grown further and faster since the COVID-19 pandemic—as more people turned to poetry to make sense of the changing world and shared that poetry through one of the only platforms available to them during that time.
‘Poems are ideally suited to social media,’ New York journalist Michelle Dean writes, ‘because they pack so much meaning into so little language.’
However, this coming together of digital and poetic culture is different for poets in different countries, depending not just on geographic and internet access but language use and platform preferences, as well as the degree to which online activity is monitored, censored or controlled.
Read more in Poems, Place and Digital Space: online poetry in Australia, China and Hong Kong in the latest edition of Westerly Magazine.
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