Disrupting the arts

Art is the business of disruption.

No matter the medium, platform or level of professionalism, the act of making is innately transformational: whether it turns thought into matter (or the other way around), brings different elements together or breaks them down to be shared or understood in different ways.

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Have your say on the NDIS cuts

The Senate Community Affairs Legislation Committee is currently taking submissions on the National Disability Insurance Scheme Amendment (Securing the NDIS for Future Generations) Bill 2026, which will arbitrarily cut 160,000 current NDIS participants from the scheme and make it even harder for new applicants to get the support they need.

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Have your say on the new national Cultural Policy consultation

The Australian Government is calling for public submissions to inform it’s update of the Revive National Cultural Policy.

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Raining on the parade of Generative AI in the arts

The Victorian Government released its updated cultural policy, Creative State 2028, at the end of last year. But I won’t be surprised if you missed it.

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And another thing: strategic venting and collegiality as care

Inspired by SACSA’s workforce Plan Updates for the Australian Arts sector, I’ve been thinking about the importance of strategic venting and collegiality as care – two common-sense strategies we’ve all seemed to lose the knack of in recent years.

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Have your say on the Productivity Commission report on copyright and AI

The Productivity Commission is looking for feedback on its interim report on harnessing data and digital technology.

The report includes recommendations for a text and data mining (TDM) exception to Australia’s Copyright Act, which would allow the AI industry to use writers and artists’ work without consent or compensation to train their Large Language Models (LLMs) – with potentially devastating effects for Australia’s creators and creative industries.

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Why we cancelled our Bendigo Writers Festival panel

I was so looking forward to this weekend’s Bendigo Writers Festival, where I was meant to join Madison Griffiths and Cher Tan as part of the Cities of Literature Book Club to discuss Looking at Women Looking at War by the late Ukrainian writer Victoria Amelina.

However, following the decisions and actions of Festival and Presenting Partner La Trobe University this week, and in solidarity with fellow participating writers, we no longer feel able to take part.

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And another thing: Meta’s Grand Theft AusLit

Like many others, we were dismayed to learn that mega-corporation Meta has stolen the work of thousands of Australian creators to train the Large Language Model for its flagship AI, Llama 3, without permission, license or compensation – including both editions of The Relationship is the Project.

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