katelarsenkeys

Digital poetry in Australia, China and Hong Kong

Over the past three decades, digital platforms have become a significant global player in the development and dissemination of poetry.

Like other online art forms, the creation and consumption of digital poetry has grown further and faster since the COVID-19 pandemic—as more people turned to poetry to make sense of the changing world and shared that poetry through one of the only platforms available to them during that time.

Have your say on the Modern Awards Review

Due next Monday (4 December 2023), the Modern Awards Review 2023-2024 is a pivotal opportunity to improve workplace rights and entitlements for the arts and cultural sector.

In a blink-and-you’ll-miss-it consultation period, the Fair Work Commission has invited submissions from artists, arts workers and organisations to investigate potential gaps in arts and cultural sector employment terms and remuneration.

And another thing: on profiles and platforms

Preparing to teach a recent workshop on building an artist or author brand made me realise how much my approach to my own brand and online profile has changed over the last several years.

That feeling has been exacerbated over this last awful month, in which the social media spaces I have held in such esteem have become sites for both community making and lonely making, action and distraction, truth-telling and shadow-banning, finding and losing of trust.

It’s been a timely reminder that our online profiles are political – regardless of whether we using them to share political content or politicise our silence.

Ally is a verb

Yesterday in Tarntanya/Adelaide, a blood test took me over the road from Pirltawardli (Possum Park). In need of some nature, I attempted to walk the edge of one of three golf courses in that part of the city. Ten minutes later, I left in tears. The glaring normalcy of the scene, of exclusively white golfers in a privileged place of safety and leisure, felt surreal and gross in a week that the world is in literal and metaphorical flames.

And another thing: duty of care

Our arts, cultural and other for-purpose sectors are designed to put others first – but we’re much better at doing so for our audiences and constituents than we are for ourselves.

This month’s ‘and another thing’ vlog for my Patreon followers uses the examples of the Voice to Parliament referendum, ethical fundraising and our ‘post’-pandemic workforce crisis to talk about Board members’ duty of care to their organisations, teams and each other.

Beyond the governance gaps

Past and present board members and those who support our boards—I want to thank you. In the machine of arts, cultural and not-for-profit governance you are one of our most necessary cogs: legislated, expected and required. From statutory authorities to volunteer-run collectives, you underpin all of our work.

The skills you must wield are varied and plentiful, yet your presence, consideration and time receive little or no remuneration—and often little thanks. But your work is a literal gift, an extraordinary, mandated generosity—without which our organisations would not be allowed to exist.

National reading symposium wrap-up

Australia is a nation of readers, with reading the second most popular way we engage with art, culture and creativity (after listening to recorded music). Yet 44% of us have low or very low literacy, 25% haven’t read a book in the last year, and recent research shows a 7% drop in the number of young people reading for pleasure.

Nearly double the number of Australians engage in reading every week than playing or watching sport, but sport takes place in the public realm and is so is seen as more integral to and defining of the Australian identity – including receiving significantly more investment.

Author: katelarsenkeys