Just finished reading How to Chair a Meeting by MI Puregger, an endearing Australian governance artefact from the 1950s with a lot to teach us about how much still needs to change.
Continue reading “And another thing: how to chair a meeting”Palestine governance resources in The Commons
The rushed and fumbled public statements made by Australian arts and cultural organisations in response to the ongoing genocide in Palestine have made failure the status quo on matters of risk and crisis management, financial sustainability and duty of care – including the statements many have made with their silence.
A collection of my provocations on Palestine as a governance issue have been collated and republished The Commons Social Change Library.
Continue reading “Palestine governance resources in The Commons”Poems, place and digital space: online poetry in Australia, China and Hong Kong
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Over the past three decades, digital platforms have become a significant global player in the development and dissemination of poetry.
Variously referred to as e-poetry, electronic or cyber poetry, digital poetry, social media or Instapoetry and more, Australian digital poet and Professor of Electronic Literature Jason Nelson defines the artform as ‘the combination of technology and poetry, with writers using all multi- media elements as critical texts. Sounds, images, movement, video, interface/interactivity and words are combined to create new poetic forms and experiences’.
Like other online art forms, the creation and consumption of digital poetry has grown further and faster since the COVID-19 pandemic—as more people turned to poetry to make sense of the changing world and shared that poetry through one of the only platforms available to them during that time. ‘Poems are ideally suited to social media,’ New York journalist Michelle Dean writes, ‘because they pack so much meaning into so little language.’
However, this coming together of digital and poetic culture is different for poets in different countries, depending not just on geographic and internet access but language use and platform preferences, as well as the degree to which online activity is monitored, censored or controlled.
Continue reading “Poems, place and digital space: online poetry in Australia, China and Hong Kong”The Relationship is the Project is out now
Huge thanks to all who came out (or logged on) for last night’s Naarm/Melbourne launch of The Relationship is the Project. So grateful. So proud. You can now ask for a copy at your local library or bookshop, or order one online.
Continue reading “The Relationship is the Project is out now”And another thing: governance and menopause
For International Women’s Day 2024, my ‘and another thing’ vlog talked about menstruation and menopause in the context of governance and duty of care, as well as a logical extension of occupational health and safety.
Continue reading “And another thing: governance and menopause”The power of digital poetry
At last month’s Perth Festival Writers Week in Boorloo/Perth, I began my Tiny Little Digital Poetry workshop with the following:
Given Perth Festival Writers Weekend brings writers and readers together in a colonial city built on unceded Noongar Boodja, it’s impossible as a guest writer not to acknowledge that our writing colleagues here and overseas are currently being killed, threatened and censored at unprecedented rates.
Continue reading “The power of digital poetry”
Dear arts organisations
Amongst everything else, the last several months have been a crash course for boards, leaders and organisations in risk and reputation management, crisis communications and duty of care from the pointy intersection of arts and human rights advocacy.
Inspired by my recent vlog series on why boards need to talk about Palestine (but applicable more broadly), here’s my attempt at framing the sorts of conversations going on amidst the hurt and panic, best and battered intentions, solidarity and silences right now.
Continue reading “Dear arts organisations”News from The RITP team
We are THRILLED to reveal the beautiful new cover design for the second edition of The Relationship is the Project, designed by the amazing Reg Abos of Studio Regina.
Continue reading “News from The RITP team”My 2023 writing year
In a nothing-short-of-extraordinary writing year, 2023 included the launch of my debut poetry collection, completion of the next edition of The Relationship is the Project, self-publication of my grandmother’s memoir, neiphling’s picture book and family musical, articles in three literary journals, new poems in print and online, and more.
Continue reading “My 2023 writing year”Have your say on the arts in SA
The South Australian Government has announced plans to redevelop its long-term vision for the state’s arts, culture and creative sector. SA artists, arts workers, arts lovers and audiences are encouraged to have your say.
Continue reading “Have your say on the arts in SA”