In a nothing-short-of-extraordinary writing year, 2023 included the launch of my debut poetry collection, completion of the next edition of The Relationship is the Project, self-publication of my grandmother’s memoir, neiphling’s picture book and family musical, articles in three literary journals, new poems in print and online, and more.
Continue reading “My 2023 writing year”Tag: Arts Leadership
Have your say on the arts in SA
The South Australian Government has announced plans to redevelop its long-term vision for the state’s arts, culture and creative sector. SA artists, arts workers, arts lovers and audiences are encouraged to have your say.
Continue reading “Have your say on the arts in SA”And another thing: the politics of publishing
As I mentioned at my Warrane/Sydney launch of Public.Open.Space. in November 2023, the sad state of the world makes it uncomfortable to talk about book stuff right now, which has made me even more grateful that my book is about control and protest, silencing and speaking up.
Because writers, artists, anyone with a platform, and anyone living on or benefiting from unceded land have an obligation to use our platforms to do so, to listen, learn, interrogate that learning, insist on media justice and speech free of bias and hate, and to recognise and act on our responsibilities.
Continue reading “And another thing: the politics of publishing”Have your say on the Modern Awards Review
Due next Monday (4 December 2023), the Modern Awards Review 2023-2024 is a pivotal opportunity to improve workplace rights and entitlements for the arts and cultural sector.
In a blink-and-you’ll-miss-it consultation period, the Fair Work Commission has invited submissions from artists, arts workers and organisations to investigate potential gaps in arts and cultural sector employment terms and remuneration.
Continue reading “Have your say on the Modern Awards Review”Beyond the governance gaps
Past and present board members and those who support our boards—I want to thank you. In the machine of arts, cultural and not-for-profit governance you are one of our most necessary cogs: legislated, expected and required. From statutory authorities to volunteer-run collectives, you underpin all of our work.
The skills you must wield are varied and plentiful, yet your presence, consideration and time receive little or no remuneration—and often little thanks. But your work is a literal gift, an extraordinary, mandated generosity—without which our organisations would not be allowed to exist.
Continue reading “Beyond the governance gaps”And another thing: less is (still) necessary
On the one-year anniversary of my #LessIsNecessary campaign, my latest instalment of ‘and another thing’ is about our ongoing workforce crisis and the regressive nonsense of employers wanting to punish workers for standing up for their rights.
Continue reading “And another thing: less is (still) necessary”Doing it differently: fit-for-purpose governance models
I enjoyed rabble-rousing about how we could (and should) be doing governance differently with Cecilia Anthony and Diversity Arts Australia’s Lena Nahlous for Creative Australia’s Governance Conversations webinar series in July 2023.
Continue reading “Doing it differently: fit-for-purpose governance models”And another thing: let’s all take Mondays off
t’s time for us to reject the idea that too-much-work-for-too-little-pay is a problem our sector can’t solve. This month’s ‘and another thing’ vlog talks about why and how we could make it happen).
Continue reading “And another thing: let’s all take Mondays off”And another thing: artists leaving arts practice
Welcome to ‘and another thing’, my brand new series on things that interest or infuriate me – exclusively for my amazing Patreon followers.
This one starts with a recent ArtsHub article on Theatre Network Australia’s report that says 51% of independent artists are currently considering a career change.
Continue reading “And another thing: artists leaving arts practice”Tears for peers: the hidden costs of arts funding
Across Australia, hundreds of arts organisations are currently awaiting the outcome of expressions of interest for four-year funding from Australia Council for the Arts. In Warrang/Sydney meeting-rooms, teams of subcontracted industry advisors are being assembled in their respective artforms to advise Council on which applications are eligible to go through to second and final stage of their decision-making process.
Continue reading “Tears for peers: the hidden costs of arts funding”