The statements we make

As artists, cultural workers and arts organisations, ours is the business of statement-making.

I was reminded of this recently by the work of Portuguese artist Tiago Casanova, whose installation Every wall is a Statement is currently part of the A liberdade e só a Liberdade exhibition (‘Freedom and only freedom’) at The Art and Culture Center of the Eugénio de Almeida Foundation in Évora.

I was also reminded, less pleasantly, by recent rushed and fumbled public statements made by Australian arts and cultural organisations in response to local and global issues or events like last year’s Voice Referendum (or the need for voice, treaty and truth more broadly) and the ongoing genocide in Palestine — including the statements that many have made with their silence.

Depressingly, failure has become status quo when it comes to Australian arts, cultural and non-profit organisation’s response (or lack of response) to these and similar issues as matters of governance, risk and crisis management, financial sustainability and duty of care.

You can read my full article on the statements we make on the Overland Literary Journal website.

Further reading: Palestine as a governance issue

Check out all of the articles and resources in my series on Palestine as a governance issue.

AI policy

I am a concerned and conscientious objector to the use of Artificial Intelligence (AI) technologies. You can read more about my many objections in my recent piece on raining on the parade of generative AI in the arts (and everywhere else).

If you consume or use my work or writing, you can be sure that the creativity, labour and language that goes into it are either my own or drawn from the wisdom of the clever humans I reference or cite, and that I do not intentionally use Al to research, generate or edit in any part of my writing or publishing processes.

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