Public. Open. Space. is ‘one to watch’

2023 will be ‘the year of the home-grown book,’ Jane Sullivan writes in The Age / Sydney Morning Herald. ‘The pandemic is fading as a popular topic, but we’re still preoccupied with climate change, racism and sexism. It’s notable how many books, particularly life stories, are written by women and non-binary people.’

Surprised and delighted to find my own collection of poetry, Public.Open.Space., included on her list of standout titles you’re going to read in 2023.

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What does ‘less is necessary’ look like?

It’s been a difficult few years for everybody. With the pandemic joining floods, bushfires and nearly a decade of arts funding cuts, Australia’s arts sector has never been more vulnerable.

As a result, we now find ourselves in the midst of a new crisis: one characterised by sector-wide burnout, staff shortages, ‘post’-pandemic exhaustion, and breaking (or already broken) teams. Which puts a whole generation of artists and arts leaders at risk.

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Post-COVID or post-burnout: less is necessary

As a sector, we came together in 2020 and 2021 with extraordinary responsiveness and resilience, and began this year with the hope 2022 would be better, easier, or at least somehow different. Australia had reopened, interstate and international travel was once again possible, and our organisations equipped with new skills to meet artists’ and audiences’ changing needs.

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Bad news Boards

The suggestion that Australian arts organisations should reset (or even remove) their Boards has clearly struck a nerve.

Within days of my provocation at the 2021 Reset Conference, I was inundated with responses from all over the world. This included hundreds of social media posts, pages of emails and dozens of interviews that acted both as an overwhelming affirmation of the proposal and a depressing indictment of the state of the sector and the broken governance models we’re forced to work within.

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Fremantle Press to publish Public.Open.Space.

Delighted beyond words that Fremantle Press will publish Public. Open. Space. in July 2023.

Begun during my 2018 Asialink Arts residency at the Hong Kong Arts Centre, it’s a new collection of meme-, micro- and longer-form inspired by spaces, places and situations that are controlled and contested online and in real life

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