LARSEN | KEYS – Page 2 – writer | rabble-rouser

Reading in 2023

With my own book hitting bookshelves and another one in production, I really thought I’d read fewer books in 2023. I was wrong.

In fact, I blew my personal reading record out of the water by getting through 236 books last year (exceeding the 212 I read in 2022).

But let me be clear: READING IS NOT A COMPETITION.

And another thing: the politics of publishing

As I mentioned at my Warrane/Sydney launch of Public.Open.Space. in November 2023, the sad state of the world makes it uncomfortable to talk about book stuff right now, which has made me even more grateful that my book is about control and protest, silencing and speaking up.

Because writers, artists, anyone with a platform, and anyone living on or benefiting from unceded land have an obligation to use our platforms to do so, to listen, learn, interrogate that learning, insist on media justice and speech free of bias and hate, and to recognise and act on our responsibilities.

Resilience for writers

Over the last year, I transitioned from literary-helpmate to trade-published poet. Suddenly, many of my own writing dreams have come true. Seeing my book in a bookshop. Launching it at my childhood library. Hearing authors I adore say nice things about my work. Doing so surrounded by friends, colleagues and writerly comrades from all parts and paths of my life.

This has been both an extraordinary privilege and a sobering induction into the realities of writerly life, much of which I had previously experienced only from one step removed – from the industry’s reliance on an author’s personal ability to hustle to the level of work versus the level of (financial) reward.

Board members, we need to talk about Palestine

Like everyone else at the moment, Australian arts and cultural organisations have been making headlines for what they are or are not saying or doing about the daily and devastating breaches of international law and human rights happening in Palestine and Israel right now.

Digital poetry in Australia, China and Hong Kong

Over the past three decades, digital platforms have become a significant global player in the development and dissemination of poetry.

Like other online art forms, the creation and consumption of digital poetry has grown further and faster since the COVID-19 pandemic—as more people turned to poetry to make sense of the changing world and shared that poetry through one of the only platforms available to them during that time.

Have your say on the Modern Awards Review

Due next Monday (4 December 2023), the Modern Awards Review 2023-2024 is a pivotal opportunity to improve workplace rights and entitlements for the arts and cultural sector.

In a blink-and-you’ll-miss-it consultation period, the Fair Work Commission has invited submissions from artists, arts workers and organisations to investigate potential gaps in arts and cultural sector employment terms and remuneration.

And another thing: on profiles and platforms

Preparing to teach a recent workshop on building an artist or author brand made me realise how much my approach to my own brand and online profile has changed over the last several years.

That feeling has been exacerbated over this last awful month, in which the social media spaces I have held in such esteem have become sites for both community making and lonely making, action and distraction, truth-telling and shadow-banning, finding and losing of trust.

It’s been a timely reminder that our online profiles are political – regardless of whether we using them to share political content or politicise our silence.

And another thing: duty of care

Our arts, cultural and other for-purpose sectors are designed to put others first – but we’re much better at doing so for our audiences and constituents than we are for ourselves.

This month’s ‘and another thing’ vlog for my Patreon followers uses the examples of the Voice to Parliament referendum, ethical fundraising and our ‘post’-pandemic workforce crisis to talk about Board members’ duty of care to their organisations, teams and each other.

Beyond the governance gaps

Past and present board members and those who support our boards—I want to thank you. In the machine of arts, cultural and not-for-profit governance you are one of our most necessary cogs: legislated, expected and required. From statutory authorities to volunteer-run collectives, you underpin all of our work.

The skills you must wield are varied and plentiful, yet your presence, consideration and time receive little or no remuneration—and often little thanks. But your work is a literal gift, an extraordinary, mandated generosity—without which our organisations would not be allowed to exist.

National reading symposium wrap-up

Australia is a nation of readers, with reading the second most popular way we engage with art, culture and creativity (after listening to recorded music). Yet 44% of us have low or very low literacy, 25% haven’t read a book in the last year, and recent research shows a 7% drop in the number of young people reading for pleasure.

Nearly double the number of Australians engage in reading every week than playing or watching sport, but sport takes place in the public realm and is so is seen as more integral to and defining of the Australian identity – including receiving significantly more investment.